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Naomi Osaka: Fashion and Identity on the Tennis Court

Naomi Osaka has never blended into the background. Not with her tennis. Not with her voice. And certainly not with her clothes.

At this year’s US Open, the four-time Grand Slam champion turned Arthur Ashe Stadium into a runway with a purpose. For her first-round win over Anastasia Zakharova, Osaka walked on court in a hooded white gown that looked more gala than groundstroke. Underneath, she stripped down to an all-black, basketball-style kit, her hair in braids, a headband completing a look that nodded directly to Allen Iverson.

Iverson, she later said, was a “trailblazer” — a player who bent the culture of his sport simply by being himself. Osaka has clearly decided she is comfortable chasing a similar path.

The outfits kept coming. For her last-16 defeat to Elena Rybakina, Osaka appeared in a decorated coat, another statement piece that split opinion online. The tennis, as always at a major, shared space with the noise around what she wore.

Osaka knows exactly what she is doing. She also knows exactly what it costs.

“I don’t mind being the first to do something and getting trashed for it,” she wrote in a social media post, addressing the criticism around her fashion choices. She drew a straight line back to 2021, when she refused to speak to the media at the French Open, then withdrew from the tournament and opened a global conversation about mental health in elite sport.

“This happened when I talked about mental health and for some reason it’s happening with my clothes lol,” she added.

That is Osaka in full: serious point, sharp memory, and a light touch at the end of the sentence. The backlash is familiar. So is her stance.

Osaka, whose father is Haitian-American and mother is Japanese, also framed her style as an expression of who she is, not a costume she puts on for effect. “I’m literally Haitian it’s in my blood to be this way,” she wrote. The message was clear: this is not provocation, it is identity.

The criticism, she says, is “worth it” if it clears space for the next generation — whether they want to speak openly about mental health, dress loudly on court, or both.

“As long as the people after me have an easier path it’s worth it,” Osaka concluded.

She may no longer be the unstoppable force who once collected majors at a staggering pace, but she remains something just as influential: a player prepared to absorb the hits so that others won’t have to.

Naomi Osaka: Fashion and Identity on the Tennis Court